Vintage Publishing

Successive episodes in the death and burial of Addie Bundren are recounted by various members of the family circle, principally as they are carting their mother's coffin to Jefferson, Mississippi, in order to bury her among her people.

It is the mid-1800s and as slavery looks to be coming to an end, Sethe is haunted by the violent trauma it wrought on her former enslaved life at Sweet Home, Kentucky. Her dead baby daughter, whose tombstone bears the single word, Beloved, returns as a spectre to punish her mother, but also to elicit her love.

WITH AN INTRODUCTION BY HELEN SIMPSON From familiar fairy tales and legends - Red Riding Hood, Bluebeard, Puss in Boots, Beauty and the Beast, vampires and werewolves - Angela Carter has created an absorbing collection of dark, sensual, fantastic stories.

Far in the future, the World Controllers have created the ideal society. Through clever use of genetic engineering, brainwashing and recreational sex and drugs all its members are happy consumers. Bernard Marx seems alone harbouring an ill-defined longing to break free.

Set in the closing months of World War II in an American bomber squadron off the coast of Italy, this is the story of a bombardier named Yossarian who is frantic and furious because thousands of people he has never even met keep trying to kill him.

Presents a story in which a blind man guides the hand of a sighted man as together they draw the cathedral the blind man can never see.

Acclaimed as one of America's most successful playwrights, the author also published four volumes of short stories. In this title, these volumes are combined with a wealth of unpublished and uncollected work, ranging from his first his story published in "Weird Tales" when he was seventeen, to his later frank homosexual fantasies.

To a small flat in South London comes a Sumerian bowl, but the bowl is the Collector Collector, clay with something to say, an object d'art who will offer Rosa, its owner, vast swathes of unrecorded history from the last 5000 years.